We don't have an overview translated in English. Help us expand our database by adding one.

Paul Joyce’s Out of the Blue and Into the Black is an insightful documentary surveying American independent film production post-Easy Rider and includes interviews with Peter Bogdanovich, Dennis Hopper, Monte Hellman and Roger Corman.

Based on a novel of the same name, it tells the record of a royal court romance between the King of Joseon who believes his duty is to his country first above love, and a court lady who wants to protect the life she has chosen.

A woman who finds a pair of pink high heels on a subway platform soon realizes that jealousy, greed, and death follow them wherever they go.

Her name is Dinah. In the Bible her life is only hinted at during a brief and violent detour within the more familiar chapters about her father, Jacob, and his dozen sons in the Book of Genesis. Told through Dinah's eloquent voice, this sweeping miniseries reveals the traditions and turmoil of ancient womanhood. Dinah's tale begins with the story of her mothers: Leah, Rachel, Zilpah, and Bilhah, the four wives of Jacob. They love Dinah and give her gifts that are to sustain her through a hard-working youth, a calling to midwifery, and a new home in a foreign land. Dinah tells us of the world of the red tent, the place where women were sequestered during their cycles of birthing, menses, and illness; of her initiations into the religious and sexual practices of her tribe; of Jacob's courtship with his four wives; of the mystery and wonder of caravans, farmers, shepherds, and slaves; of love and death in the city of Shechem; of her half-brother Joseph's rise in Egypt, and of course her marriage to Shechem and it's bloody consequences.

Magdalena is a young girl who lives in a brothel in the heart of Bogota-Colombia. On the night of her 15th birthday she gets her first client; 77 year-old Eduardo has paid to see her sleep naked. She is supposed to take a sleeping potion and sleep through his presence but, forgetting this task, she pretends to be asleep. Over the course of several visits, Magdalena begins to fall in love with Eduardo, never having opened her eyes to see him. As she realizes her mistake, Eduardo teaches her something that will help her cope and become the woman that she has always wanted to be.

Abril, a rebellious and daring stewardess, and Manuel, a shy and traditional businessman, meet on a plane and instantly feel an undeniable attraction.